THE CAVE DWELLERS by William Saroyan<\/p>\n\n\n\n
Directed by Charles C. Urban<\/p>\n\n\n
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“Nobody belongs here, but here we are” – THE KING THE CAVE DWELLERS by William Saroyan<\/em><\/strong><\/p>\n In a post-apocalyptic New York City, THE CAVE DWELLERS explores the adventures of a ragtag group of broken-down theatre folk who are camping out on the stage of an abandoned New York theatre that is about to be pulled down for a housing project. They grapple for a living by day and enact their past triumphs and dreams at night. Although food is scarce and the cold is congealing, the characters have glowing spirits and wonderful memories of their triumphant days. One who calls herself “The Queen\u201d is the ruin of a former actress.\u201cThe King\u201d used to be a celebrated clown. “The Duke\u201d was once a prizefight champion. \u201cThe Girl\u201d is a homeless, frightened wretch. Together they form a tentative family of sorts, illustrating that Love is a necessity of Survival.<\/em> Humor, grace, innocence and improvisation distinguish this Broadway classic.<\/em><\/p>\n A Modern Fairy Tale or an \u201c<\/em><\/strong>allegorical-philosophical-existentialist fantasy\u201d<\/em><\/strong><\/p>\n The Girl<\/strong> is a kind of Alice<\/strong> who tumbles into a strange Wonderland<\/strong> of unusual and eccentric characters. <\/em>The King<\/strong>, a Clown, and The Queen, <\/strong>a classical Actress, are both seasoned pros at their craft. Dukes<\/strong> was once a Champion Prize Fighter, The<\/strong> Man <\/strong>and The<\/strong> Bear<\/strong> perform together on the streets for money. The<\/strong> Woman<\/strong> has just given birth to a baby; itself quite a performance \/ achievement!<\/em><\/p>\n The<\/strong> Silent Boy<\/strong> is as innocent and reserved as The<\/strong> Girl<\/strong>; they were made for one another and under different circumstances they would be a lovely pair. The<\/strong> Girl<\/strong>\u2019s loyalty and gratefulness to Dukes<\/strong> make it difficult for her to make a definitive decision in this Love Triangle. <\/em><\/p>\n The kind hearted, emphatic Boss of the Wrecking Crew<\/strong> takes pity on the inhabitants of the theatre and constructs a scenario which allows them to stay on for several more days. He acts the role of playwright<\/strong> and director<\/strong>; telling his workers to call in \/ act <\/strong>sick in order to delay the demolishing of the crumbling old theatre; illustrating compassion and benevolence.<\/em><\/p>\n The theater stage is a derelict hulk of itself, with a long-extinguished chandelier dripping dust and tattered curtains shivering in the wind. Against a background of alarms and bomb blasts (it could be Armageddon or it could be encroaching gentrification), a “family” of sorts has sought shelter in this abandoned theatre.<\/em><\/p>\n Everyone is shuddering, shivering, convulsing with cold, moaning in their troubled sleep. Yet they’re unflaggingly kind to one another, sharing what crumbs they manage to amass and even engaging in a form of musical beds. The situation is fraught to the max — even more so at the climax of act one, when a whole new gang of unfortunates pounds on the door, demanding admittance.<\/em><\/p>\n Saroyan’s credo, in life and in art, was summed up by the title of his best-known play, ”The Time of Your Life,” for which he won — and rejected — the 1940 Pulitzer Prize. ”Live!”<\/strong> is his command, ”so you shall not add to the misery and sorrow of the world.”<\/strong><\/em><\/p>\n Cast<\/strong>– Derrick Jenkins, Kirsten Schulze, Elina Viksna, Helen<\/em> Khorrami, Azin Rekowski, Ravi Kanth, Rabah Khilfeh, Vikrant Mangal<\/em><\/p>\n Crew<\/strong> – Rebecca Bullock, Vedrana Mijosek, Mohammed Sabouni, Charles C. Urban<\/em><\/p>\n Costumes<\/strong> – Enel Kerler<\/em><\/p>\n Premiere Performance<\/strong><\/em> at THEATER AM OLGAECK –\u00a0<\/strong><\/p>\n October 25 <\/strong>at 20:00 hrs<\/strong><\/p>\n Further Performances<\/strong><\/em> at THEATER AM OLGAECK –<\/strong><\/p>\n November 1. \/ 8. \/ 15. \/ 29<\/strong> at 20:00<\/strong> hrs<\/p>\n December 6<\/strong> at 20:00<\/strong> hrs<\/p>\n <\/p>","protected":false},"excerpt":{"rendered":" THE CAVE DWELLERS by William Saroyan Directed by Charles C. Urban “Nobody belongs…<\/p>\n","protected":false},"author":99576481,"featured_media":2065,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_seo_schema_type":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_wpcom_ai_launchpad_first_post":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[103],"tags":[],"class_list":["post-2052","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","wow","fadeIn"],"jetpack_publicize_connections":[],"jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6E99v-x6","jetpack_featured_media_url":"https:\/\/i0.wp.com\/neatstuttgart.com\/wp-content\/uploads\/2018\/10\/img_0687bw-2.jpg?fit=3899%2C2596&ssl=1","_links":{"self":[{"href":"https:\/\/neatstuttgart.com\/index.php?rest_route=\/wp\/v2\/posts\/2052","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/neatstuttgart.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/neatstuttgart.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/neatstuttgart.com\/index.php?rest_route=\/wp\/v2\/users\/99576481"}],"replies":[{"embeddable":true,"href":"https:\/\/neatstuttgart.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2052"}],"version-history":[{"count":3,"href":"https:\/\/neatstuttgart.com\/index.php?rest_route=\/wp\/v2\/posts\/2052\/revisions"}],"predecessor-version":[{"id":9007,"href":"https:\/\/neatstuttgart.com\/index.php?rest_route=\/wp\/v2\/posts\/2052\/revisions\/9007"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/neatstuttgart.com\/index.php?rest_route=\/wp\/v2\/media\/2065"}],"wp:attachment":[{"href":"https:\/\/neatstuttgart.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2052"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/neatstuttgart.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2052"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/neatstuttgart.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2052"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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