{"id":1990,"date":"2018-07-22T21:45:25","date_gmt":"2018-07-22T19:45:25","guid":{"rendered":"http:\/\/neatstuttgart.com\/?p=1990"},"modified":"2026-04-12T14:16:35","modified_gmt":"2026-04-12T12:16:35","slug":"hi-yo-silver","status":"publish","type":"post","link":"https:\/\/neatstuttgart.com\/?p=1990","title":{"rendered":"Hi Yo, Silver!"},"content":{"rendered":"\n<p class=\"has-text-align-center has-large-font-size wp-block-paragraph\">THE LONE RANGER &#8211; Live Radio Play<\/p>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size wp-block-paragraph\">Directed by Charles C. Urban<\/p>\n\n\n<h2><strong>\u00a0THE LONE RANGER RIDES AGAIN!<br \/>\n<\/strong><\/h2>\n<p><strong><em>\u201cA fiery horse with the speed of light, a cloud of dust and a hearty Hi-Yo Silver! The Lone Ranger! &#8230; Return with us now to those thrilling days of yesteryear<\/em><\/strong><strong>! <em>The Lone Ranger rides again\u201d!<\/em><\/strong><\/p>\n<p><strong>THE LONE RANGER<\/strong> is a <em>masked<\/em> Texas Ranger in the American Old West who gallops about righting injustices with the aid of his clever, laconic Native Indian assistant, <strong>Tonto<\/strong>. This American Pop Icon was first introduced in a 1933 radio show, which became an immediate hit, resulting in <strong>2,956<\/strong> broadcast <em>radio episodes<\/em>, going on to television and cinema. Tonight, we will be presenting two related episodes from <strong>THE LONE RANGER<\/strong> archive.<\/p>\n<p>The <strong>First Episode<\/strong> is from 1948 and recounts the <strong><em>Origin of the Lone Ranger<\/em><\/strong>; why wears the mask, how he met his Indian companion <strong>Tonto<\/strong>, why he shoots silver bullets, where he found his magnificent stallion Silver. The basic story of <strong>THE LONGE RANGER<\/strong> is ingrained in American culture. The unnamed hero was the only survivor of a group of six Texas Rangers who were ambushed by Butch Cavendish and his gang in a canyon named Bryant\u2019s Gap. An Indian named <strong>Tonto<\/strong> later came upon the massacre, finding one ranger still alive. <strong>Tonto<\/strong> nurses the ranger back to health, who then swears to bring Cavendish to justice. To keep Cavendish off his guard, the ranger and <strong>Tonto<\/strong> make six graves in Bryant\u2019s Gap, and the ranger fashions a black domino mask from a ranger\u2019s vest to conceal his identity. He tamed the wild horse Silver for his mount, and after making sure Cavendish paid for his crimes, the Lone Ranger continued to fight for justice in the Old West.<\/p>\n<p><strong>The Second Episode<\/strong> is from 1953 and celebrates the 20<sup>th<\/sup> Anniversary of the series with <strong><em>The<\/em><\/strong> <strong><em>Return of Butch Cavendish<\/em><\/strong> &#8211; the Lone Ranger\u2019s arch nemesis,. Will Cavendish escape yet again? Or will justice prevail this time!?<strong> Tonto<\/strong> and <strong>THE LONE RANGER<\/strong> are inseperable. The character of <strong>Tonto<\/strong> made his initial appearance in the 11th episode of the radio show. The author, Fran Striker, told his son that<strong> Tonto<\/strong> was added so <em>&#8220;The Lone Ranger would have someone to talk to.&#8221; <\/em>He was named by James Jewell, who also came up with the term &#8220;<em>Kemosabe<\/em>&#8220;, based on the name of a Summer Camp owned by his father-in-law in upstate Michigan. In the local Native American language, <strong>Tonto<\/strong> meant &#8220;<strong>Wild One<\/strong>.&#8221; <em>\u00a0<\/em>Because <strong>Tonto<\/strong> means <em>&#8220;Stupid&#8221;<\/em> or <em>&#8220;Ignorant&#8221;<\/em> in Spanish, the character was renamed &#8220;<strong>Toro<\/strong>&#8221; (Spanish for &#8220;<em>Bull<\/em>&#8220;) or &#8220;<strong>Ponto<\/strong>&#8221; in Spanish-speaking countries.<\/p>\n<p>The <strong>THEME MUSIC <\/strong>is just as iconic as <strong>THE LONE RANGER<\/strong> himself and\u00a0 was primarily taken from the &#8220;<em>MARCH OF THE SWISS SOLDIERS<\/em>&#8221; finale of\u00a0 Gioachino Rossini&#8217;s\u00a0 <strong><em>WILLIAM TELL<\/em> <em>OVERTURE<\/em><\/strong>, which thus came to be inseparably associated with the series.<\/p>\n<h3 style=\"text-align:center\"><strong>The Golden Age of Radio<\/strong><\/h3>\n<p><strong><em>THE LONE RANGER<\/em><\/strong> is the fifth installment of our highly popular <em>Live Radio Series<\/em>, after the Classic Crime Story <strong><em>SORRY, WRONG NUMBER<\/em><\/strong> by Lucille Fletcher, <strong><em>THE MARX BROTHERS RADIO HOUR<\/em><\/strong>, the Orson Welles\u2019 Radio Adaption of <strong><em>DRACULA<\/em><\/strong> by Bram Stoker, and the Film Noir Detective Spoof by The Firesign Theatre \u2013 <strong><em>NICK DANGER; Third Eye. <\/em><\/strong>In October, we will be presenting<strong><em> THE WIZARD OF OZ<\/em><\/strong> by L.Frank Baum using the original 1950 LUX RADIO HOUR script!<\/p>\n<p>The\u00a0Golden Age of Radio, refers to a period of\u00a0<a href=\"https:\/\/en.wikipedia.org\/wiki\/Radio_programming\">radio programming<\/a>\u00a0in the United States lasting from the early 1920s until the 1950s; reaching its <em>peak<\/em> popularity with general audiences during the 1930s and 1940s. In a time before televisions and computers, <em>radio <\/em>was the <em>first<\/em> medium that brought <em>live<\/em> entertainment into the homes of Americans across the country and Millions tuned in daily to listen to their favorite programs.<\/p>\n<p>During the <strong>Golden Age of Radio<\/strong>, new <em>forms <\/em>of entertainment were created for the <em>new <\/em>medium: radio plays, mystery, adventure and detective serials, soap operas, quiz shows, variety hours, talent shows,\u00a0situation comedies,\u00a0children&#8217;s shows, live musical concerts, play by play sports broadcasts and the format of modern radio news.<\/p>\n<p>Part of this <em>peak period of radio<\/em> coincided with The<strong> Great Depression\u00a0<\/strong>in North America; when people were doing without most luxuries, and even a few seeming necessities. \u00a0<strong>R<\/strong>adio and its wide range of live music, comedy, variety shows, and dramatic programming served as a <em>welcome escape<\/em> from those troubled times.\u00a0 Even though many people couldn&#8217;t afford payments on their washing machines, vacuum cleaners, or Model A Fords, they desperately struggled to keep up payments on their <em>radios<\/em>. \u00a0Not only were all of these things relatively expensive in the 1930s, but a large percentage of people were out\u00a0of work.<\/p>\n<p>By 1935, more than 22 million American homes had <em>radios<\/em> and these technical devices weren\u2019t small; they were built into <em>large<\/em> wooden cases that amounted to elaborate pieces of furniture. The large size was due mostly to large vacuum tubes in the circuitry. These early radios also had large speakers that provided rich bass, and large loops of wire wound around an internal drum that served as an adjustable antenna for receiving distant stations.<\/p>\n<p>Entire families sat around the large radio, prominently situated in the living room and listened to shows like <em>AMOS &#8216;N ANDY, GUNSMOKE THE SHADOW,\u00a0 SUPERMAN, DICK TRACEY, BUCK ROGERS, <\/em>and <em>each individual<\/em> listener created their <em>very own images<\/em> of the characters and settings; thus the term <strong>THEATRE OF THE MIND.<\/strong><\/p>\n<p>The shows were created in large studios, before a live audience. The broadcast involved writers, announcers, bandleaders, technicians, sound effect men, stock actors and <em>the stars<\/em>,\u00a0script in\u00a0hand, speaking into microphones. The scripts were paper-clipped together, and pages were simply dropped to the carpeted floor after use. Sometimes when reassembling a script to use it for <em>live <\/em>broadcasting to the <em>next time zone<\/em>, some pages would be out of order or missing entirely; calling upon the improvisational expertise of the cast of actors.<\/p>\n<p>Radio shows were very often sponsored by companies whose <em>brand name<\/em> was present in the show\u2019s title. There was ALKA SELTZER TIME, KING BISCUIT HOUR, THE CAMPBELL PLAYHOUSE, CHESTERFIELD SUPPER CLUB, THE EVEREADY HOUR, KRAFT MUSIC HALL, LUCKY STRIKE HOUR, MAXWELL HOUSE SHOWBOAT, PALMOLIVE BEAUTY BOX THEATER, LUX RADIO THEATRE, etc.<\/p>\n<p><strong>THE LONE RANGER<\/strong> is brought to you by <strong>CHEERIOS<\/strong>!<\/p>\n<p>Performances &#8211;<\/p>\n<p><strong>August 6<\/strong> at <strong>20:00<\/strong> hrs in <strong>MERLIN<\/strong><\/p>\n<p class=\"jetpack-slideshow-noscript robots-nocontent\">This slideshow requires JavaScript.<\/p><div id=\"gallery-1990-1-slideshow\" class=\"jetpack-slideshow-window jetpack-slideshow jetpack-slideshow-black\" data-trans=\"fade\" data-autostart=\"1\" 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itemscope itemtype=\"https:\/\/schema.org\/ImageGallery\"><\/div>\n<p><strong>September 28<\/strong> at <strong>20:00<\/strong> hrs in <strong>THEATER AM OLGAECK<\/strong><\/p>\n<p><strong>December 16<\/strong> at <strong>19:00<\/strong> hrs in <strong>CENTRAL THEATER<\/strong>, Esslingen<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>THE LONE RANGER &#8211; Live Radio Play Directed by Charles C. Urban \u00a0THE&#8230;<\/p>\n","protected":false},"author":99576481,"featured_media":2005,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_seo_schema_type":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_wpcom_ai_launchpad_first_post":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[103],"tags":[],"class_list":["post-1990","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","wow","fadeIn"],"jetpack_publicize_connections":[],"jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6E99v-w6","jetpack_featured_media_url":"https:\/\/i0.wp.com\/neatstuttgart.com\/wp-content\/uploads\/2018\/07\/r3a7551print.jpg?fit=2126%2C1549&ssl=1","_links":{"self":[{"href":"https:\/\/neatstuttgart.com\/index.php?rest_route=\/wp\/v2\/posts\/1990","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/neatstuttgart.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/neatstuttgart.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/neatstuttgart.com\/index.php?rest_route=\/wp\/v2\/users\/99576481"}],"replies":[{"embeddable":true,"href":"https:\/\/neatstuttgart.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1990"}],"version-history":[{"count":3,"href":"https:\/\/neatstuttgart.com\/index.php?rest_route=\/wp\/v2\/posts\/1990\/revisions"}],"predecessor-version":[{"id":9013,"href":"https:\/\/neatstuttgart.com\/index.php?rest_route=\/wp\/v2\/posts\/1990\/revisions\/9013"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/neatstuttgart.com\/index.php?rest_route=\/wp\/v2\/media\/2005"}],"wp:attachment":[{"href":"https:\/\/neatstuttgart.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1990"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/neatstuttgart.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1990"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/neatstuttgart.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1990"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}